![]() Milkis, thoroughly "disgusted" by Maizlish, already left after a mere three months, before shooting of the pilot was even started, while Justman himself admitted that "For the first time in my life, I began to suffer from hypertension", because of Maizlish, even though he initially wanted to stay on. Justman has identified Roddenberry's uninitiated attorney and business partner, Leonard Maizlish as the main agent for them to do so, stating he "destructively" meddled with the creative decision making for the new series. Nevertheless, at the end of the first season all of them opted to leave the production. Cinematographer Jerry Finnerman was also invited back by Roddenberry, however he turned down the offer as he was working on Moonlighting at the time. Fontana and David Gerrold, who were brought in first in early October 1986 to form the core production team for The Next Generation, later to be joined by Costume Designer William Ware Theiss, Composer Fred Steiner, Assistant Director Charles Washburn, and Set Decorator John Dwyer. ![]() The first season staff included the following TOS veterans: Producers Robert H. Noted for his loyalty to co-workers he implicitly trusted, a by then ailing Gene Roddenberry was determined to bring back as many production staff members from Star Trek: The Original Series as possible (actually, this he had already intended to do, and partially did, on the ten years earlier, but ultimately abandoned Star Trek: Phase II television series).( The Deep Space Log Book: A First Season Companion, p. The first season of Next Generation certainly was". Rick Berman commented: " First seasons of television shows tend to be potentially very chaotic.They take on assignments from Starfleet as well as explore those strange new worlds, going where no one has gone before. Kirk, Captain Jean-Luc Picard takes command of the Galaxy-class USS Enterprise-D with a hand-picked crew. A hundred years after the era of James T. ![]()
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